“Black girls have memories of water as both grief in the split of the neck bone, and the desire to be clean, to leave the hair salon a holy new thing.”
Don’t miss this beautiful poem by Sojourner Ahebee, runner-up in the 2017 Button Poetry Video Contest!
Stay tuned for more information about our 2018 Video Contest!
“Oh Fuck Boy, how did I live without you? Why didn’t I know I needed someone to drink all of my Hennessy?”
Don’t miss this week’s Best of Button playlist, featuring the top-viewed recent videos on the Button YouTube Channel. Today’s additions: Ashlee Haze, Sabrina Benaim, & Jared Paul. Congrats poets!
In-Depth Look: Soups – “The Dark Side of Being Mixed”
Appreciating poetry is often about patience: sitting with a poem, meditating on it, and re-reading it multiple times. With spoken word, we don’t always get a chance to do that. This series is about taking that chance, and diving a little deeper into some of the new poems going up on Button.
“That’s when you’ll be forced to swallow the truth. It will taste expired.”
One thing we often talk about in writing/performance workshops is how important a poem’s first and last lines are. This is true for many kinds of art, but takes on special importance in spoken word, where grabbing the audience’s attention right away– and also leaving them with something that sticks– can help to mitigate the effects of the audience’s inevitable wandering attention.
My first home was inside the womb of a white woman is such an evocative, gripping first line, and perfectly sets up the central question/idea that the piece grapples with: how racism can affect– and infect– even the closest of relationships. The poem starts by talking about that effect in terms of other people’s perceptions, but then powerfully transitions into sharing stories and scenes that show how that effect isn’t just about other people’s perceptions– there is a kind of distance created by privilege, by pop culture, by this country’s white supremacist history, that can’t be fully bridged no matter how loving the personal relationship.
That leads us to the closing line: She will always have the choice of being either weapon or shield, and all I will ever be is target. This line works on an emotional/relationship level, bringing the poem full-circle, but it also works on a larger, political level: it captures something profound about the idea of allyship. Even the most committed allies, the people bound not just by principle but by real love to those they choose to stand in solidarity with, still have the freedom (and privilege) to make that choice..
“Would you rather be completely covered in fur like head-to-toe, monster type of shit, or, stay with me, stay with me, be perfectly smoothy smooth, in all of the right places: thighs, crotch, armpits, upper-lip, neck? But here’s the caveat: all of the hair that would’ve grown in those places takes the form of a tail.”
Don’t miss this incredible poem from Melissa Lozada-Oliva, featuring at her book release party at Icehouse in Minneapolis.
Make sure to check out Melissa’s new book, PELUDA, now available!
