Appreciating poetry is often about patience: sitting with a poem, meditating on it, and re-reading it multiple times. With spoken word, we don’t always get a chance to do that. This series is about taking that chance, and diving a little deeper into some of the new poems going up on Button.
“Somewhere in this coward’s mouth is a brave heart’s confession.” ———
It’s possible to talk about what performance adds to a poem; but it’s also possible to talk about what it takes away. A poem on the page has a different (not better or worse, just different) set of tools to use to do the work that it wants to do. For example, page poets use line breaks and enjambment to create conversations between ideas, to shine different lights on words that may mean one thing in one context, and something very different in another. Seeing the words next to each other, seeing how the lines break, seeing how the poem “moves” on the page, is a different experience than listening to a poem.
While spoken word poems can still use juxtaposition and transitions to do some of that work, this poem takes it to another level. One can picture, while listening, where the lines might be breaking, and how the different ideas flow in and out of one another, mirroring the thought-stream of someone dealing with anxiety. It’s a powerful exploration of what a poem can do when its form, content, and delivery intertwine and work toward a common purpose.
“When a body my size begins moving in a direction, it tends to stay moving in that direction.”
Don’t miss this stunning poem by Jared Singer, featuring at Button Poetry Live. If you’re in the Twin Cities, don’t miss the next Button Poetry Live show, first Monday of every month in downtown Saint Paul, or watch LIVE from our YouTube Channel.
“The difference between my skin and your uniform is that you get to take it off.”
Don’t miss this stunning poem by Grace Akon, performing at Button Poetry Live. If you’re in the Twin Cities, don’t miss the next Button Poetry Live show, first Monday of every month in downtown Saint Paul, or watch LIVE from our YouTube Channel.
“A girlfriend will come over to you house and help clean up your kitchen. A woman will come into your life and help clean up your credit.”
Don’t miss this incredible poem by T Miller, performing at Button Poetry Live. If you’re in the Twin Cities, don’t miss the next Button Poetry Live show, first Monday of every month in downtown Saint Paul, or watch LIVE from our YouTube Channel.
In-Depth Look: Sam Sax – “Written to be Yelled at Trump Tower…”
Appreciating poetry is often about patience: sitting with a poem, meditating on it, and re-reading it multiple times. With spoken word, we don’t always get a chance to do that. This series is about taking that chance, and diving a little deeper into some of the new poems going up on Button.
“Every poem I have ever written is trying to get closer to the people I have lost.” ———
The other day, poets Clint Smith and Eve Ewing engaged in a couple of great Twitterthreads about the politics of being labeled a “spoken word poet” or a “poet.” This is an age when more and more artists from the slam scene are finding success in the realms of publishing and academia, but the distinction has always been muddy. So many of spoken word culture’s brightest stars– Patricia Smith, Saul Williams, Bao Phi, and beyond– are also award-winning page poets; the next generation is already continuing that trend.
Sam Sax embodies this as well as anyone. As a poet, he’s received fellowships from the National Endowment for the Arts, Lambda Literary, & The MacDowell Colony. His new book, Madness, is the winner of The National Poetry Series selected by Terrance Hayes; his upcoming second book, Bury It, is the Winner of the 2017 James Laughlin Award from The Academy of American Poems.
But Sax is also a striking performer. This poem, exploring intersections of capitalism, artistic expression, exploitation, and loss, is already so tightly constructed and consistent in terms of its imagery and thesis; the performance, though, particularly through Sax’s intentionality around tempo and rising/falling tension, adds further layers. While the stereotype that spoken word is about using performance to make up for flat writing will likely persist, Sax shows that at its best, spoken word and slam poetry are about artists using performance to give their already-powerful writing added texture, depth, and meaning.
“My oldest brother cannot seem to find someone to love him. I’ve placed a mirror in every room in the house, hoping he settles for the person he sees the most.”
Don’t miss this tremendous poem by Jamiah Lincoln, featured contestant in the 2016 Button Poetry Video Contest.
“I’m so tired of talking about my depression as someone else: a ghost that haunts me and I am afraid of the seance.”
Don’t miss this marvelous poem by Reagan Myers, performing at Button Poetry Live. If you’re in the Twin Cities, don’t miss the next Button Poetry Live show, first Monday of every month in downtown Saint Paul, or watch LIVE from our YouTube Channel.
