“Handing over all my secrets is like giving someone with trembling fingers a loaded gun and putting it against my heart.”
Heading into the new year, we’ll be counting down the top-viewed videos on Button from 2017! Coming in sixth on the list, “Stay With Me” by Bianca Phipps. Congratulations Bianca!
Note: This countdown list only covers a small fraction of the brilliant artists who let us share their work on our channel this year, and is by no means a definitive list of the “best” poems, simply the ones that got the most views. Take some time and check out more from the past year on our channel.
Appreciating poetry is often about patience: sitting with a poem, meditating on it, and re-reading it multiple times. With spoken word, we don’t always get a chance to do that. This series is about taking that chance, and diving a little deeper into some of the new poems going up on Button.
“Somewhere in this coward’s mouth is a brave heart’s confession.” ———
It’s possible to talk about what performance adds to a poem; but it’s also possible to talk about what it takes away. A poem on the page has a different (not better or worse, just different) set of tools to use to do the work that it wants to do. For example, page poets use line breaks and enjambment to create conversations between ideas, to shine different lights on words that may mean one thing in one context, and something very different in another. Seeing the words next to each other, seeing how the lines break, seeing how the poem “moves” on the page, is a different experience than listening to a poem.
While spoken word poems can still use juxtaposition and transitions to do some of that work, this poem takes it to another level. One can picture, while listening, where the lines might be breaking, and how the different ideas flow in and out of one another, mirroring the thought-stream of someone dealing with anxiety. It’s a powerful exploration of what a poem can do when its form, content, and delivery intertwine and work toward a common purpose.
