“I am learning that the difference between a garden and a graveyard is only what you choose to put in the ground.”
Don’t miss this week’s Best of Button playlist, featuring the top-viewed recent videos on the Button YouTube Channel. Today’s additions: Rudy Francisco, Jared Singer, & Neil Hilborn. Congrats poets!
“Pretend that the whole world is the music video of your love. Finish every sentence by taking off your sunglasses, especially when you aren’t wearing any.”
Don’t miss this beautiful poem from Jared Singer, featuring at Button Poetry Live.
Best of 2017 #8: Jared Singer – “Just Take a Shower”
“I think we should redefine the word tragedy as: that which is impossible to get over.”
Heading into the new year, we’ll be counting down the top-viewed videos on Button from 2017! Coming in eighth on the list, “Just Take a Shower” by Jared Singer. Congratulations Jared!
Note: This countdown list only covers a small fraction of the brilliant artists who let us share their work on our channel this year, and is by no means a definitive list of the “best” poems, simply the ones that got the most views. Take some time and check out more from the past year on our channel.
Appreciating poetry is often about patience: sitting with a poem, meditating on it, and re-reading it multiple times. With spoken word, we don’t always get a chance to do that. This series is about taking that chance, and diving a little deeper into some of the new poems going up on Button.
I’ve decided that I will not speak unless I can say the complete truth. This has made it so much harder to talk about the things that are really important to me.
The most common critique of slam poetry is that it’s predictable, or “tropey,” to use an increasingly useful pop culture term. We talk about the same subject matter, using the same structural and poetic elements, through the same delivery style. On one hand, I think this critique misses the mark, especially when it comes from outside the culture (see points #4 and #5 here for a few more thoughts on that), but on the other hand, it isn’t particularly difficult to see why that critique exists– we could, as a community, challenge ourselves to explore new angles on issues, push our writing into more interesting places, and strive to create work that doesn’t sound like everyone else’s.
That larger context makes this poem particularly interesting. While the “gimmick” (and I don’t mean that in a bad way) of the poem is obvious, there’s a deeper impulse at play in how the poem uses negative space. That silence isn’t just for drama’s sake; it’s embedded in the writing in a way that directly counters that charge of predictability. The “father” section, for example, could be read in multiple, conflicting ways, which captures something profound about the nature of both that specific relationship, and the larger idea of the truth as something that is messy, sometimes contradictory, and difficult to grasp. Poets are sometimes expected to be able to “illuminate the truth” in just three minutes; this poem functions as a critique of that, while simultaneously being an example of what that work might actually look like.
If you like Singer’s work, there’s much more available online.
“When a body my size begins moving in a direction, it tends to stay moving in that direction.”
Don’t miss this stunning poem by Jared Singer, featuring at Button Poetry Live. If you’re in the Twin Cities, don’t miss the next Button Poetry Live show, first Monday of every month in downtown Saint Paul, or watch LIVE from our YouTube Channel.