Living At Baggage Claim: Now Available!

“Truth is a heavy thing, but it is the only thing worth carrying.”

– James Baldwin

I am beyond grateful and hella excited to announce my second full-length collection of poems and other stories, “LIVING AT BAGGAGE CLAIM” now available on BUTTON POETRY. This is a collection that is over a decade in the making, navigating the mercurial highs and lows of being a Black, Queer, and immigrant artist desperately trying to grapple with their relationship to home, healing your inner-child, and all the griefs in between (and beyond).

I spent a lot of time living out of a suitcase as a traveling artist, nomad, and person with unstable housing. “Living at Baggage Claim” is an invitation to finally put the bags down – from the literal to the figurative. I tried to ask myself in my reflection of the past 10 or so years of my life – being on the road, the people I’ve gained and lost, the vulnerable and prickly parts of me, the choices and decisions I made and that were made for me which left me so broken only the flood of tears could wash me anew – who or is what is home for me? Have I made a home of myself?

I hope these poems give a semblance of an answer or encourage you to craft your own. Thank you to BUTTON POETRY, friends, lovers, heart breaks, soul aches and wild joys that have made this possible, supported me, challenged me, and believed in me.

PAGES Matam (They/He), is a genderqueer college drop-out turned award-winning fi lm-poet and agent of imagination. They create timely and timeless stories centering Black & queer characters defying the odds. Born in Cameroun, Centra l Africa, then blossomed in the DMV (Piscataway Land), they are a polyglot with an obsession for gummy bears , battle-horror anime, and fried plantains as thorough a s their love for creating magically surrealist high-concept dramas and poetry navigating themes of chosen family and alchemizing wounds into gifts. Anansi meets Baldwin with a splash of Olivier Armstrong, their work is deeply rooted in Queer Black liberation, their immigrant experience and love for West-African Folklore, as well as Toni Morrison’s words : “the function of freedom is to free someone else.” PAGES is a National Poetry Slam Champion, Burlesque performer, teaching artist and
organizer.

photo by: Jamal Josef

Nen G Ramirez is a nonbinary Latinx writer from Adrian, Michigan. They are the author of All Women Are Born Wailing (Black Lawrence Press, 2023), which was awarded the 2022 Acentos Book Prize. Ramirez received their MFA in poetry from the University of Minnesota, where they currently teach. They are an editor of We Are, a zine of unhoused art and words from the Twin Cities. Ramirez also plays keys and performs spoken word poetry in emo bands Virginia’s Basement and Cute Intentions. Their writing has been featured in Poem-a-Day, POETRY, Electric Literature, Barrelhouse, and elsewhere.

Bleah Patterson is a queer, southern poet from Texas. Much of her work explores the contention between identity and home. Her creative and academic work have been supported by organizations like Sundress Academy for the Arts, Vermont Studio Center, Kenyon Writers’ Workshop, McCormick (formerly TinHouse) writers’ workshop, and SWWIM Residency at The Betsy. Her work has also been featured or is forthcoming in various journals including Write or Die, Electric Literature, The Pinch, Grist, Hayden’s Ferry Review, The Laurel Review, Phoebe Literature, The Rumpus, and Taco Bell Quarterly.

Aishatu Ado (she/her) is an Afro-German folklore ecologist obsessed with a question empire prefers unanswered: what does a story do when it refuses to stay dead? Drawing on African and diasporic cosmovisions, she traces how oral traditions survive rupture and seed liberated futures. Her collection, Black Box Flight Recorder, won the 2025 Button Poetry Chapbook Contest. She has also won Fractured Lit’s Ghosts, Fables, Fairy Tales Prize and the Jerry Jazz Musician Short Fiction Contest. A Clarion West graduate, she has received fellowships from Odyssey, Tin House, The Kenyon Review, Hurston/Wright, VONA, Roots Wounds Words, and Voodoonauts. Her fiction has appeared twice on Reactor Magazine’s Must Read list. Aishatu’s work has been published or is forthcoming in Nightmare, FIYAH, CRAFT, Obsidian, Baffling, Heartlines Spec, Kelp’s Ocean Poetry Anthology, Augur, and Flame Tree’s Afrofuturism Short Stories and Dreams Divine. More at aishatu.carrd.co.

BOOK RELEASE DAY:
Living at Baggage Claim by PAGES Matam

“I am on a plane wishing I could live
in every sky if it means being closer to you.”

PAGES Matam

We are pleased to announce the release of Living at Baggage Claim, PAGES Matam’s sophomore, full-length poetry collection!

Living at Baggage Claim by PAGES Matam tells a tale across time and cities chronicling what it means to make home wherever you may be.

Read on to discover Matam’s new collection!

“Living at Baggage Claim is a deep pondering on things inherited: grief, exile, longing, memories, but also the ability to lay some of that weight down.”

PAGES Matam

psst… get $7 your copy with code MATAM7 at checkout!

In this collection based on the author’s experiences touring as a performance poet, we journey through the eyes of our fictionalized main character, “the boy?”, who is a reflection of their inner child.

The collection explores a seemingly impossible future trying to honor who they are by accepting who they always were and what they were meant to be.

“Living at Baggage Claim is bold in honesty and tender in recollection. PAGES’ voice is lyrical, fearless, and deeply humane in blending West African folklore with contemporary storytelling.”

Ebony Stewart, author of WASH

From the author:

“Truth is a heavy thing, but it is the only thing worth carrying.” – James Baldwin

I am beyond grateful and hella excited to announce my second full-length collection of poems and other stories, “LIVING AT BAGGAGE CLAIM” now available on BUTTON POETRY. This is a collection that is over a decade in the making, navigating the mercurial highs and lows of being a Black, Queer, and immigrant artist desperately trying to grapple with their relationship to home, healing your inner-child, and all the griefs in between (and beyond).

I spent a lot of time living out of a suitcase as a traveling artist, nomad, and person with unstable housing. “Living at Baggage Claim” is an invitation to finally put the bags down – from the literal to the figurative. I tried to ask myself in my reflection of the past 10 or so years of my life – being on the road, the people I’ve gained and lost, the vulnerable and prickly parts of me, the choices and decisions I made and that were made for me which left me so broken only the flood of tears could wash me anew – who or is what is home for me? Have I made a home of myself?

I hope these poems give a semblance of an answer or encourage you to craft your own. Thank you to BUTTON POETRY, friends, lovers, heart breaks, soul aches and wild joys that have made this possible, supported me, challenged me, and believed in me.”

From the author:

“I mean is this not the most dramatic irony, for a book called “LIVING AT BAGGAGE CLAIM” to have lost baggage upon first delivery. SMH. 

I laughed when I discovered my first delivery of author copies was completely empty, ripped and re-taped over as if someone was trying to apologize for their mistake. Somewhere in the ether there are copies of LABC that may be in the hands of a river, or a person who didn’t know poetry could be magical and healing. I hope it’s the latter more than anything.”

– PAGES Matam

Author Bio

PAGES Matam (They/He) is a genderqueer med-school dropout turned
award-winning multi-hyphenate, pleasure advocate, and agent of
imagination. Born and raised in Cameroun then blossomed in the DMV
(Piscataway Land), they love Mario Kart, anime, and fried plantains as
much as crafting high-concept writing and performance art that speaks
truth to power with topics ranging from culture & identity, maternal
wounds, mental health, and their queer journey as an immigrant!

Read more from the book:

BOOK RELEASE DAY:

Tooth Gaps in the Archives by Francis Dylan Waguespack

“Take the memory of solid ground, not to return to it, but to remember what it costs to leave our footprints underwater.”

Francis Dylan Waguespack

We are pleased to announce the release of Tooth Gaps in the Archives by Francis Dylan Waguespack, the winner of the 2025 Button Poetry First Book Contest!

Read on to discover Waguespack’s debut collection!

“Waguespack’s Tooth Gaps in the Archives is a love letter to a sinking home, to all of the ways a government can abandon both a place and a people.”

Ollie Schminkey

Set in Southeast Louisiana—one of the last regions in the contemporary United States to resist full Americanization—Tooth Gaps in the Archives traces how place-based cultural memory persists beyond its disappearing geography and amid a cycle of forced migration, an emerging domestic climate diaspora, and the slow violence enacted against a people whose power has been systematically withheld through regulatory capture.

In Tooth Gaps, Louisiana is not rendered as the unlucky exception or a site of tragedy, but as a resource extraction colony, its people asked to disappear quietly to facilitate the commodification and consumption of their land, labor, and culture. 

Moving between lyric poems and documentary prose, Tooth Gaps drops the reader directly into the speaker’s interior and exterior worlds without mediation, creating an immersive, embodied experience that refuses abstraction and distance.

From the very first to the very last page, it insists on the body as archive and frames the very existence of the people of Louisiana as an act of resistance. 

From the author:

“I write for my ancestors, for the lost generations of Louisiana Creoles, and for our descendants who will begin and end their lives found, knowing always who they are and among whom they belong. But I also write for you, anyone who is reading these words and feels a tug on their links to the rest of the people of the world. Thank you for reading. I hope you find something here that is meaningful to you.”


– FDW

“Waguespack’s astonishing debut collection of poetry has no limitations—like a magnifying glass held over a lost manuscript, Tooth Gaps brings a previously unknown South into undeniable clarity.”

Maurice Carlos Ruffin

Author Bio

Francis Dylan Waguespack (he/they) is a painter and Pushcart-nominated poet from New Orleans who writes about the politics of disasters and being from a place and in a body that both live under threat. He is 34, and therefore recently found out about birds. His work appears in many publications including ONLY POEMS DAILY, wildness journal, The Penn Review, and Foglifter. He was a finalist for the 2025 St. Lawrence Poetry Award and won the 2025 Button Poetry First Book Award for this, his debut collection, Tooth Gaps in the Archives.

Read more from the book:

Francis Dylan Waguespack (he/they) is a painter and Pushcart-nominated poet from New Orleans who writes about the politics of disasters and being from a place and in a body that both live under threat. He is 34, and therefore recently found out about birds. His work appears in many publications including ONLY POEMS DAILY, wildness journal, The Penn Review, and Foglifter. He was a finalist for the 2025 St. Lawrence Poetry Award and won the 2025 Button Poetry First Book Award for his debut collection, Tooth Gaps in the Archives, forthcoming from Button Poetry in the fall of 2026.

Ayanna Florence is a spoken word poet, author, and creative from Chesapeake, VA. A born writer and performer, she prides herself in creating work that is thought-provoking, emotion-evoking, and fearless. Since her introduction to slam poetry at 16 years old, she has become one of the most decorated and prominent voices in the space, touring the nation as a self-made artist while continuing to share her love and respect for the craft. Ayanna is the 2023 Womxn of the World Poetry Slam champion, the 2023 and 2024 Slam Charlotte Grand Slam champion, the 2023 and 2024 Queen of the South, a 2x Southern Fried Poetry Slam Finalist, and much more.

As a queer black womxn, Ayanna exists on the fringes and outside the box, and her artistry reflects this reality. She believes that living outside of the margins is an inherently revolutionary act that gives her a singular perspective on life and humanity. In both performance and prose, her artistry is raw, powerful, and poignant, magnifying issues that often go unheard such as the mental health crisis and the queer black femme experience.

Ayanna has been an avid participant in the theatre since the age of 3, majoring in Acting at Howard University, and actively incorporates her extensive theatrical experience into her poetic work. She debuted her one-woman show Moonchild in collaboration with BOOM Charlotte in 2023, and Identity Crisis at the Richmond Poetry Festival in 2024.

As dedicated to teaching as she is to learning, Ayanna has facilitated workshops at the likes of Harvard University, and has created programming and poetry curriculum for middle and high school students across the country. She believes in the necessity of art in all spaces, and the importance of accessibility to knowledge.

Ayanna is a Write Bloody book prize finalist, and her work has been published alongside legends such as Nikki Giovanni and Sonia Sanchez in literary magazine, African Voices. In 2024, she self published her debut chapbook, Oceans. Her forthcoming debut full length poetry collection, unreliable narrator (Button Poetry, 2026), seeks to relinquish the shame surrounding victimhood and to empower the sensitive black girl within.

Embraced as one of the most unique voices in spoken word and a standout in any room, Ayanna is proof that your greatest superpower is yourself. She believes in the power of walking in your purpose and loving yourself first, and is filled with eternal gratitude at the opportunity to instill that same belief in others through her work. Her confidence and conviction serve as both inspiration and reminder of what is possible when you dare to dream. Above all, Ayanna is passionate about using her poetry as a method of healing for herself and others.

Matt Mason served as the Nebraska State Poet from 2019-2024 and has run poetry workshops in Botswana, Romania, Nepal, and Belarus for the U.S. State Department. His poetry has appeared in The New York Times and Matt has received a Pushcart Prize as well as fellowships from the Academy of American Poets and the Nebraska Arts Council. His work can be found in Rattle, Poet Lore, Prairie Schooner, and in hundreds of other publications. Button published Mason’s 5th book, Rock Stars, in 2023.