In-Depth Look: Donte Collins – “New Country (after Safia Elhillo)”
Appreciating poetry is often about patience: sitting with a poem, meditating on it, and re-reading it multiple times. With spoken word, we don’t always get a chance to do that. This series is about taking that chance, and diving a little deeper into some of the new poems going up on Button.
“Yeah, I’m salty as fuck… that’s what happens when you’re dragged across an ocean.”
Write-up by Kyle “Guante” Tran Myhre
One of the most powerful things a poet can do is know for whom they’re writing– not that there’s always an easy answer. This poem, through its listing of moments, monuments, shared symbols, and beyond, builds a relationship with its audience. It builds relationships with other audiences too, in different ways, but it never loses sight of for whom it exists.
Additionally, there’s something electric in how Collins speaks on joy, community, and family, without ever using the words “joy,” “community,” or “family.” One of the most common writing exercises that poets and teachers use is the “I am from” poem, where a poet tries to communicate who they are, what they represent, and where they’re from, usually by listing a series of concrete images– smells, moments, sounds, etc. As this poem demonstrates, that impulse– to construct our identities not through a perfect, one-line thesis statement, but through an impressionistic landscape of images– can create some very memorable writing.
While you’re here on our site, make sure to check out our books and merchandise in the Button Store, including Guante’s own book, as well as titles by Aziza Barnes, Danez Smith, Neil Hilborn, Donte Collins, and our newest release from Sabrina Benaim.