“Hey girl, I’ve got a good relationship with my momma and I’m looking for a serious commitment.”
Don’t miss this week’s Best of Button playlist, featuring the top-viewed recent videos on the Button YouTube Channel. Today’s additions: Natalie Choi and Bianca Phipps. Congratulations poets!
In-Depth Look: Donte Collins – “New Country (after Safia Elhillo)”
Appreciating poetry is often about patience: sitting with a poem, meditating on it, and re-reading it multiple times. With spoken word, we don’t always get a chance to do that. This series is about taking that chance, and diving a little deeper into some of the new poems going up on Button.
“Yeah, I’m salty as fuck… that’s what happens when you’re dragged across an ocean.” ———
One of the most powerful things a poet can do is know for whom they’re writing– not that there’s always an easy answer. This poem, through its listing of moments, monuments, shared symbols, and beyond, builds a relationship with its audience. It builds relationships with other audiences too, in different ways, but it never loses sight of for whom it exists.
Additionally, there’s something electric in how Collins speaks on joy, community, and family, without ever using the words “joy,” “community,” or “family.” One of the most common writing exercises that poets and teachers use is the “I am from” poem, where a poet tries to communicate who they are, what they represent, and where they’re from, usually by listing a series of concrete images– smells, moments, sounds, etc. As this poem demonstrates, that impulse– to construct our identities not through a perfect, one-line thesis statement, but through an impressionistic landscape of images– can create some very memorable writing.
Check out Safia Elhillo’s poem “Self Portrait With No Flag” here. You can also find more from Donte Collins at their website and through their new book, Autopsy, available now through Button Poetry!
“A girlfriend will come over to you house and help clean up your kitchen. A woman will come into your life and help clean up your credit.”
Don’t miss this week’s Best of Button playlist, featuring the top-viewed recent videos on the Button YouTube Channel. Today’s additions: T. Miller and Thomas Fucaloro. Congratulations poets!
Appreciating poetry is often about patience: sitting with a poem, meditating on it, and re-reading it multiple times. With spoken word, we don’t always get a chance to do that. This series is about taking that chance, and diving a little deeper into some of the new poems going up on Button.
“Somewhere in this coward’s mouth is a brave heart’s confession.” ———
It’s possible to talk about what performance adds to a poem; but it’s also possible to talk about what it takes away. A poem on the page has a different (not better or worse, just different) set of tools to use to do the work that it wants to do. For example, page poets use line breaks and enjambment to create conversations between ideas, to shine different lights on words that may mean one thing in one context, and something very different in another. Seeing the words next to each other, seeing how the lines break, seeing how the poem “moves” on the page, is a different experience than listening to a poem.
While spoken word poems can still use juxtaposition and transitions to do some of that work, this poem takes it to another level. One can picture, while listening, where the lines might be breaking, and how the different ideas flow in and out of one another, mirroring the thought-stream of someone dealing with anxiety. It’s a powerful exploration of what a poem can do when its form, content, and delivery intertwine and work toward a common purpose.
“I suppose we wear our traumas the way the guillotine wears gravity; our lovers’ necks are so soft.”
Don’t miss this week’s Best of Button playlist, featuring the top-viewed recent videos on the Button YouTube Channel. Today’s additions: Andrea Gibson and Reagan Myers. Congratulations poets!